Permalink to The Winners 2012

The Winners 2012

The shortlists have been chosen, the judges have judged and the ceremony has taken place. It’s time to reveal the winners of the British Comic Awards 2012. Without further ado…

BEST BOOK: NelsonEdited by Rob Davis and Woodrow Phoenix
Published by Blank Slate Books, November 2011.

BEST COMIC: Bad Machinery: The Case of The Fire InsideJohn Allison
Published online at scarygoround.com, January to June 2012.

YOUNG PEOPLE’S COMIC AWARD: Hilda and the Midnight GiantLuke Pearson
Published by NoBrow Press, November 2011.

EMERGING TALENT: Josceline Fenton

HALL OF FAME: Raymond Briggs

Congratulations to all our winners and our nominees, and a big thank you to the Committee, the Judges and to everyone who attended the ceremony. Also, huge thanks to our partners at the Thought Bubble Festival without whom none of this would happened and our sponsors at Awesome Merchandise.

For an in depth look at all of our nominees and winners please visit the 2012 Winners page.

There will be a career retrospective blog post about Raymond Briggs appearing here shortly as well as a short film about the very first BCAs by filmmaker Anne Holiday. The site will be updated over the next week and we’ll be open to suggestions for nominees for 2013 very soon.


Permalink to British Comic Awards Nominees 2012

British Comic Awards Nominees 2012

It is with great pleasure that we announce the nominees for the very first British Comic Awards. Without further ado…

BEST BOOK

Don Quixote: Volume 1 – Rob Davis
Published by Self Made Hero, September 2011.

Goliath – Tom Gauld
Published by Drawn and Quarterly, February 2012.

Hilda and the Midnight Giant – Luke Pearson
Published by NoBrow Press, November 2011.

Nelson – Various
Published by Blank Slate Books, November 2011.

Science Tales – Darryl Cunningham
Published by Myriad Editions, April 2012.

BEST COMIC

Accidental Salad – Joe Decie
Published by Blank Slate Books (Chalk Marks), October 2011.

Bad Machinery – John Allison
Published online at http://scarygoround.com

Girl & Boy – Andrew Tunney
Self published, November 2011.

Hemlock – Josceline Fenton
Published online at http://hemlock.smackjeeves.com
Volume 3 self published, October 2011.

Tuk Tuk – Will Kirkby
Self published, September 2011.

EMERGING TALENT

Kristyna Baczynskihttp://www.kristyna.co.uk
Josceline Fentonhttp://www.mildtarantula.com
Will Kirkbyhttp://chamonkee.livejournal.com
Louis Roskoschhttp://www.louisroskosch.com
Jack Teagle - http://jackteagle.co.uk

Congratulations to all those nominated!

The entrant to our final category, the Hall of Fame award, will be announced at the BCA ceremony on 17th November as part of the Thought Bubble Festival in Leeds.


Permalink to Young People’s Comic Awards Nominees

Young People’s Comic Awards Nominees

After much reading, discovery and discussion we are very happy to announce our first shortlist of nominees for the Young People’s Comic Awards.

The nominees are (in alphabetical order by title):

Bad Machinery: The Case of The Fire Inside by John Allison
Published online at http://scarygoround.com, January 9th – June 28th 2012

Dinopopolous by Nick Edwards
Published by Blank Slate Publishing (Chalk Marks), October 2011

Gum Girl volume 1: Catastrophe Calling by Andi Watson
Published by Walker Books, March 2012

Hilda and the Midnight Giant by Luke Pearson
Published by Nobrow Press, November 2011

The Lost Boy by Kate Brown
Published in ‘The Phoenix’ by David Fickling Books, January 7th – 1st September 2012

Congratulations to all the creators and publishers of the nominated titles. We can’t wait to find out who the young people declare as the winner in November.

The award year for this year’s YPCA is 1st August 2011 to 31st July 2012. We realise that The Lost Boy concluded after this period. In selecting the nominees we, the Committee, have had to refine and define the rules of eligibility as we encountered different titles in different formats. In regards to serialised stories such as The Lost Boy we concluded that:

Serialisations can be nominated in the year the majority of the work was published in.

And also:

The Committee will not be able to shortlist the work as a collected edition if a serialisation was previously nominated.

The Committee discussed at some length the practicalities of nominating online work and work serialised across numerous issues of a weekly anthology title like The Phoenix for an award that will be judged by young people. Whilst it would be easier to send 5 books to each of the dozen participating schools our aim is to celebrate and promote amazing comics regardless of their format.

We’ll work closely with the authors and publishers of the nominated titles and the teachers to ensure that the young people can access and read online comics, or serialised comics presented across a number of issues or as a pdf file, in a way they can enjoy. When necessary we will provide schools with a Teachers Guide too.

We thought there is no guarantee there will be a print collection of The Lost Boy, so does it not deserve a nomination because it was serialised, even if it’s a fantastic story? If and when it is published as a book that very same story will still be considered a BCA Nominee (or possibly winner).

While we may not be able to give the school libraries a book to keep at the end of the process, the benefit will be that young people are discovering new comics and new ways of reading comics. Many of them may catch up with all the Bad Machinery stories online and discover other web comics through it. They may become fans of The Phoenix and discover other great stories in there. And more importantly they may learn that comics can be read anywhere, anyhow. That the world is full of comics in secret places. And they may figure out that if anyone can put a comic on the internet, then they can too.

Adam Cadwell.


Permalink to Committee and Judges eligibility

Committee and Judges eligibility

Last week, an interview with BCB radio prompted a discussion among the committee about eligibility that we’ve chewed over for a few days.

See, we’d all implicitly agreed that none of the committee members or judges would have nominated work (it always looks a bit cheeky, to be honest) but we hadn’t ever written it down.

Correcting that was easy. No works created in whole or mainly by a member of the judging panel or committee will be eligible for a BCA nomination.

But what about anthologies?

As an editor of one myself (Paper Science) I’d assumed that it would be ‘my’ work, and would fall under the rule above. But other anthologies published in the past year feature very small stories by creators either on the committee or that we’re approaching to be judges. And when that might mean they’ve contributed 3 pages out of 150 or so, something didn’t seem quite right.

So we’ve settled on another one. No anthologies edited or curated by a member of the judging panel or committee will be eligible for a BCA nomination.

It seems the fairest way to halt any accusations of nepotism while also being open to the huge variety of anthologies produced by our tight-knit comics community here on Blighty.

Obviously we’ll see how that works out as time goes on; the ‘rules’ about nominations will have to evolve over time, as new ways of producing comics develop and surprise us.

We’ll be as open as we can be about that – without spoiling the nominations – right here.

Matthew Sheret.


Permalink to Designing the logo

Designing the logo

One of the many many things we discussed when setting up the awards was the logo and branding.

I’ve worked with clients in the past whose logo requirements had been as vague as ‘make it all whooshy’ or as bizarre as ‘like the Nike logo, only for horses’. The requirements that we decided on as a committee were that ideally the logo would reflect the heritage of comics culture, communicate the idea of an award and be visually fresh and distinctive.

We had a few potential logos that we kicked about until I arrived at an idea. I’d been spending time looking at the 4CP site. If you haven’t seen it, go and have a look. The site has loads of high resolution scans of printed comics that reveal the 4 colour process in action. I don’t know about you but I find this endlessly fascinating.

While I was looking through the site, something occurred to me.

I’d known for a long time that the arrangement of the dots in the four colour process sometimes aligned to form ‘rosettes’.

I know it doesn’t sound like much of an insight, but it had me jumping about the room with joy: ROSETTES! Like for winning AWARDS!

I like simple ideas that neatly fit together.

We worked through a few variations of type and colour and arrived at the final logo;

So that’s where that came from. The design of the logo has a important part to play in the story of the physical awards themselves. That’s another part of the story for another day though.

Dan Berry

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Nominations are open!

Suggest your favourite comic to the Committee for consideration.

We welcome input from readers, shops, creators and publishers alike, but please make sure that your suggestion is eligible for nomination.




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